Hamlet - Shakespeare Essay Example for Free

crossroads Shakespe atomic number 18 Essay settlement is a moral avenger in a corrupt and unjust world. He is the only person who questions the moral atmosphere of Denmark but is dictated to bear irritationally because of the distress placed on him by the world. hamlet struggles with his calling to his laminitis, his disenchantment with himself, his revenge on Claudius, his begets sudden re wedlock, the purpose of the ghost and the corrupt nature of Denmark. By not informing the sense of hearing of the intentions of the ghost, Shakespe are keeps them engaged by creating dis sicklyusionment through small towns struggle for the truth. Furthermore, Shakespeare deals to engage audiences by presenting ideas of duty and corruption which are shown largely through the characterization of crossroads. settlement struggles with his thoughts and feelings. The degree to which his alienation and melancholy signalled in his behaviour varies from production to production due to his f athers death. O that this too too impregnable flesh would melt, thaw and resolve itself into a dew, or that the permanent had not fixed his canon gainst self-slaughter. O God, God, how weary, stale, flat and unprofitable seem to me all the uses of this world (Act 1 guess 2).This quotation is Hamlets first soliloquy which signifies his first thoughts about suicide and how the world seems weary, stale, flat, and unprofitable. It conveys that he sees the world as a neglected garden grown foul. It also uses extended metaphor to articulate his strong need to rest in peace. In other words, Hamlet finds suicide a desirable alternative to tone in a painful world but this option is closed to him because it is forbidden by religion. Hamlet exposes the range of his slump weariness, despair, grief, anger, nausea, loathing and disgust, resignation.The importance of this soliloquy lies in its establishing of Hamlets personality and telling his mental condition. It presents Hamlets struggle for life and the disillusionment he feels towards the world. Through this, the audience indeed gain a closer relationship with Hamlet, and are absorbed by him because they are able to vacillate with his circumstances, as he is faced with enduring truths of the human condition. Hamlets disillusionment with himself is largely driven by the disgust towards his mothers sudden remarriage. In Act 1 stroke 2, Hamlet is dressed in black, signifying grief for his cold father.His sort contrasts strikingly with the costumes and attitudes of the courtiers celebrating the wedding of Claudius and Gertrude. In this soliloquy, Hamlet describes his eager disgust at his mothers second marriage to his despised uncle so soon aft(prenominal) his fathers death. Hyperion to a Satyrthose shoes were old with which she following my poor fathers body (Act 1 Scene 2). He describes the haste of their marriage through irony, noting that the shoes his mother wore to his fathers funeral were not worn out b efore her marriage to Claudius.The technique metaphor and juxtaposition are used to recall his dead father as infinitely superior to Claudius (his father was so clarified a king, a Hyperion which is the sun god while Claudius is a bestial satyr, a lecherous creature, half-man, half-goat). He recalls how tenderly and protectively his father loved his mother, and how passionately she loved him. Hamlet condemns the marriage and struggle to accept that his mother betrayed his father but sorrowfully vows silence. Here, the audience is engaged through a deep understanding of Hamlets emotional feelings and the circumstances of betrayal in a relationship.Hamlets struggle for the truth of the Ghosts intentions engages audiences with many possible interpretations that follow. In Act 1 Scene 4, Hamlets meditation on human nature is interrupted by the appearance of the Ghost. He sees it as a questionable shape, and the question it poses for him will haunt him for much of the shoo-in is it goo d or evil? Hamlets perplexity whether the Ghost is an agent of God or the Devil is expressed in three vivid antitheses and three rhetorical questions Be thou a pith of health, or goblin damned, bring with thee airs from heaven or blasts from hell, by thy intents wicked or charitablesay, why is this?Wherefore? What should we do? (Act 1 Scene 4). The Ghost claims he is the spirit of Hamlets father and orders him to revenge his murder. In Shakespeares time, revenge was forbidden by state and church building a standardised. The Church considered revenge as a sin for which the revengers soul was damned, condemning him to suffer everlasting torments after death. Therefore, the Ghost is seen by audiences as a devilish spirit sent to tempt Hamlet into an action that will result in his suffering for eternity. Here, audiences are engaged through Shakespeares melodramatic treatment of Hamlets struggle for the truth and his disillusionment with the Ghost.Hamlet is hungry for revenge, but c hangeable if he knows the truth. His thoughts, emotions, and desire for action struggle with each other. In the soliloquy of Act 4 Scene 4, triggered by Fortinbras ruthlessness, Hamlet begins to realise his excessive over-thinking. It dawns upon him that he had been thinking too much and foregatheracting too little. Now, whether it be bestial oblivion, or some craven scruple of thinking too hardly on theventI do not know why yet I live to say this things to do, sith I have cause, and will, and strength, and means to dot. collect to his delays in action, Hamlet criticizes himself as a coward, with insults in the soliloquy O what rogue and peasant striver am I why, what am I (Act 2 Scene 2). Hamlet is self-abusive in his expressions and shows deep depression through the comparison of himself to the lowest and most worthless thing he can think of. Hamlet himself is more prone to apprehension than to action, which is why he delays so long before seeking his revenge on Claudius.Hamle ts struggle to take action builds the climax throughout the play and keeps audiences engaged with the many questions and interpretations that follow from his indecisive and uncertainties to bring action upon his duty to his father. Hamlet is polarised due to his disillusionment with the corrupt state of Denmark. Denmark is frequently described as a physical body made ill by the moral corruption of Claudius and Gertrude, and many observers interpret the presence of the ghost as a necromantic omen indicating that something is rotten in the state of Denmark (Act 1 Scene 4).This personification indicates that King Claudius is what is rotten in Denmark. The line spoken by Marcellus help create the sense of corruption that will grow more and more throughout the play. He expresses disgust at the physical corruption that follows death in the metaphor snide Caesar, dead and turned to clay,/ might stop a hole, to keep the wind away (Act 4 Scene 1). As Hamlet surveys the rather pathetic rem ains of Yorik, he realizes that even a praised man like Caesar has by now become a bit of clay that may be used to stain a lowly farmhouse wall.Like the body of a king going through the guts of a beggar, as part of the naturalness of the cycle of death, he presents the idea that the body of man is part of the country and goes back to earth. Hamlet becomes especially concerned with the meaning of existence in addition to that of those around him, and he finds it difficult to reason what may become of him after his worldly life. He questions whether mans spirit is important and after all, does the legacy people leave behind really matter when theyre dead?Consequently, Hamlet hesitates to take action upon his revenge on Claudius and struggles to find an answer to the questions he consistently asks himself. Here, audiences are presented a rather detached view of events that continues to engage them through the dramatic treatment of struggle and disillusionment of Hamlet. In conclusion , it is clear that Hamlets life contains many minor problems that make up the bear-sized problem. The Ghost of his father appearing to him is what began Hamlets morality and excessive thought. Thus, melancholia causes Hamlet a chaw of grief and struggle to remain alive in this ambiguous world.Hamlet questions his own nobility, and deciding that he must die to be noble is a contributing factor in Hamlets lack of haste in murdering Claudius. Further, the internal struggle between contemplation and action, as well as the struggle to accept human mortality itself represents the audiences own struggle to comprehend the nature of tragedy. His struggle with uncertainty and the conflict that emerges between fate and freewill have a universal relevance as they continue to be key existential concerns, which strike a chord with contemporary audiences.